Assistant Professor of Music and Director of Jazz Studies at University of Southern Mississippi in Hattiesburg, MS
- Company: University of Southern Mississippi
- Location: Hattiesburg, MS
- Job type: full time
- Workplace: onsite
- Posted: 2026-10-05
All open roles at University of Southern Mississippi
Job description
Special Instructions to Applicants Required Documents: Cover letter addressing the candidate’s qualifications, experience, vision for leading a contemporary collegiate Jazz Studies program, and potential to contribute to a modern music curriculum Curriculum vitae Contact information for four professional references Video recordings of rehearsals and/or ensemble instruction Video or audio recordings of performances (Please submit all audio or video via YouTube or Vimeo links in a Word file or PDF) Supporting Materials: Additional materials may be requested at a later date. Applicants must be currently authorized to work in the United States on a full-time basis without the need for visa sponsorship. The University will not sponsor applicants for work visas (e.g., H-1B). Job Summary The School of Music at the University of Southern Mississippi invites applications for the position of Director of Jazz Studies . This nine-month, tenure-track position will begin in August 2027. The Southern Miss School of Music enjoys a longstanding national and international reputation for musical excellence. Its accredited programs provide opportunities for musical and professional growth at the undergraduate through the doctoral levels. Our diverse student body works with distinguished faculty members who perform on world-class stages and bring their rich experiences to our Hattiesburg campus every day. Ensembles include the Southern Chorale, Symphony Orchestra, Wind Ensemble, Symphonic Winds, Pride of Mississippi Marching Band, Southern Opera and Musical Theatre, Jazz Lab Bands, and numerous outstanding studio ensembles. Students regularly perform at regional, national, and international events, attend master classes with internationally known guest artists, and become award-winning teachers, performers, and creators around the globe. The Jazz Studies program has been in existence for over 50 years. Its ensembles include two big bands and several diverse combos, including the award-winning Southern Miss Jazztet. It has hosted many outstanding artists including Gregory Tardy, Joel Frahm, The KC Chamber Jazz Quintet, and the Amina Figarova Jazz Sextet. Notable guest artists who have performed with Jazz Lab Band 1 include Ellis Marsalis, Jeff Coffin, Jovino Santos Neto, John Fedchock, Carl Allen, and Mike Clark. We seek a dynamic musician, educator, and program builder with a forward-looking vision for jazz education and a demonstrated commitment to preparing students for an evolving professional music landscape. The successful candidate will provide artistic, curricular, and administrative leadership for the Jazz Studies program and will play a central role in its continued growth and development. The Director of Jazz Studies will lead an active and visible program that honors the traditions and history of jazz while embracing contemporary practices, emerging technologies, interdisciplinary collaboration, entrepreneurship, and the diverse ways musicians build sustainable careers in the twenty-first century. Recruitment and program growth will be a significant priority of this position. The successful candidate will be expected to develop and maintain an active recruitment strategy; cultivate relationships with prospective students, school music programs, community colleges, professional musicians, alumni, and other partners; and establish a strong regional and national presence for the Jazz Studies program. The program includes large and small ensembles as well as courses in performance, improvisation, theory, arranging, and history. Jazz ensembles and most core jazz courses are open to all majors, so the director works with students from both the School of Music and broader university. Professionally, the Director of Jazz Studies will maintain an active record of creative activity as a performer, composer, arranger, or some combination of these. That record should reach regional, national, and international audiences, consistent with the tenure
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